In the series Errances / Wanderings, Diallo creates immersive environments inhabited by human and animal figures composed of images from various sources: ethnographic documentation, historical photographs, scientific illustrations, maps, personal archives, and images taken from the Internet. A turtle with a galaxy-formed carapace and a cloaca made of flowers lingers, its long neck stretched toward two children with hybrid bodies. Like theatre sets, Diallo’s installations lend themselves to plays with perspective and assemblage that give birth to her characters, as the collages materialize the plurality of identities that dwell in them. From these choreographies of images, new meanings emerge: Diallo invites visitors to build their own narratives based on their experiences and references, drawing on what is shown in the works. The subversive nature of this approach resides in highlighting the value of a nonlinear, non-hierarchical history fed by oral tradition, folklore, and ancient cosmologies, as well as by scientific data and agricultural almanacs. Her compositions thus evoke the power of natural forces—ocean tides, astronomical cycles—and creation myths. Errances / Wanderings entangles different temporalities and outlines the overlapping of human, animal, and plant lives as well as the knowledge, stories, and experiences that flow from them.